Our unnamed narrator gets up from bed one day. He says that he has been lying on bed for the past nine months. And his wife has left him. And it is his fault. He proceeds to tell us the story. When the doorbell rings. A woman is standing outside. She wants his help in finding her father. Before long we are hurled into a world, where the narrator’s city has changed beyond recognition in the last nine months, and the story looks real before the narrator starts seeing people from his dreams in the real world and things turn increasingly surreal and then some mythical, magical creatures appear. What happens after that and whether the narrator is able to help in finding the woman’s father forms the rest of the story.

This is the surface level story. Of course, this is not all there is to it, and there is more to it than meets the eye. The nine months that the narrator spends in bed are the worst, most violent nine months in Bosnia in the ’90s, and when we realize that, the whole story takes on a totally different meaning and we see everything in new light. The monsters in the story are real-world people who did monstrous things, and the disappearances of family members is what most families went through. A reader who reads this book in Bosnian or Croatian or Serbian will catch all this on the first read and will be able to appreciate the metaphors of the story with a deeper resonance. But for an outsider like me, it took a while to figure things out.
Selvedin Avdić’s prose is beautiful and is filled with humour and is a pleasure to read. There are many footnotes in the book which were fascinating. The book has a foreword by Nick Lezard, who reviews books for ‘The Guardian’, which is very interesting.
I’ll leave you with some of my favourite passages from the book.
“Then I thought that some music might help, recalling how it can easily change the atmosphere of any room. Do an experiment, if you don’t believe me. In a completely empty room, play different types of music and you will see how the shadows shift, the air stirs, the nuances of light change, as the room adjusts itself to the music, like the scene changing from act to act in the theatre. There is no such thing as complete silence. It does not exist. At least not in this world, maybe in outer space or in the bowels of the earth, where it’s only cold and dark.”
“Allah created this world so that it would be pleasing to an intelligent seven-year-old boy. That is what Ahmed said to me when I left his office. I think the thing that He made best was the morning. How I used to love the morning! I loved to drink coffee with Anđela and to make arrangements for the day, while morning was coming into the room. I loved every one of our conversations. I loved the little movements of her fingers around the cup. The scents, the clock ticking, the news on the radio…my whole body would relax. I could be alone with her for days, with her and the child in that little room. I used to tell her even prison would not be hard for me if we were together. Because, as the proverb says, if the household is never spiteful, the house is never too small. Mornings are now completely senseless. I imagine that they are still beautiful, but I can no longer notice.”
Have you read ‘Seven Terrors’? What do you think about it?
I was so pleased to read this review! I read this book ages ago, and because I didn’t understand all of the allusions to the war, I found parts of it mystifying. I never did figure out if the seven terrors came from some sort of mythological reference such as the Four Horses (of the Apocalypse.)
Glad you’ve read this book, Lisa. I can totally understand how you felt. The book is definitely mystifying. It needs us to do some research into the background and maybe we need to essays about it to understand different interpretations. It is definitely not a straightforward read.
You have been reading some of my favourite Istros books lately. This was my introduction to the publisher, before I started blog reviews, but I loved this book.
Glad to know that this was your first Istros book 🙂 Istros is such a wonderful publisher, isn’t it? Discovered a lot of Balkan literature through them.
This sounds like such a rewarding read; I appreciate it when fiction inspires me to return to the real world and explore an aspect of history that’s new-to-me.
Thank you, Marcie. Yes, very true what you said. I learnt a lot by reading this book and researching on the history later.
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